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Memorable Occurrences in Swedenborg's Writings

This list of Memorable Occurrences in Swedenborg's Writings was originally compiled by W. C. Henderson in 1960 but has since been updated.

From Swedenborg's Works

 

Conjugial Love #270

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270. The third account:

Awakening one morning, I fell to thinking about some questions having to do with conjugial love, coming finally to this one:

In what region of the human mind is truly conjugial love seated, and in what region, therefore, coldness in marriage?

I knew that the human mind is divided into three regions, one above the other, and that natural love resides in the lowest region, spiritual love in the next higher one, and celestial love in the highest. I knew also that in each region there is a marriage of good and truth, and because good has to do with love, and truth with wisdom, that in each region there is a marriage of love and wisdom; moreover, that this marriage is the same as a marriage of the will and understanding, since the will is the recipient vessel of love, and the understanding the recipient vessel of wisdom.

[2] While I was deep in thought on this question, I suddenly saw two swans flying towards the north, and presently two birds of paradise flying towards the south, and then two turtledoves flying in the east. Following their flight with my eyes, I next saw the two swans veer their course from the north to the east, likewise the two birds of paradise from the south, until they met up with the pair of turtledoves in the east. Then together they flew towards a certain lofty palace there, rising in the midst of olive trees, palms and beeches. The palace had three rows of windows, one above another; and as I watched, I saw the birds fly into the palace - the swans through windows standing open in the lowest row, the birds of paradise through windows open in the middle row, and the turtledoves through windows open in the highest row.

[3] After I witnessed this event, an angel stood beside me and said, "Do you understand the things you have seen?"

"A little," I replied.

"The palace," said the angel, "represents the abodes of conjugial love as these exist in human minds. Its highest level - into which the turtledoves disappeared - represents the highest region of the mind, where conjugial love resides in the goodness of love together with its wisdom. The middle level - into which the birds of paradise disappeared - represents the intermediate region, where conjugial love resides in a love of truth together with its intelligence. And the lowest level - into which the swans disappeared - represents the lowest region of the mind, where conjugial love resides in a love of what is just and right together with its knowledge.

[4] "These degrees are also symbolized by the three pairs of birds - the two turtledoves symbolizing conjugial love in the highest region, the two birds of paradise conjugial love in the intermediate region, and the two swans conjugial love in the lowest region. The three kinds of trees surrounding the palace - the olive trees, palms and beeches - symbolize the same.

"In heaven we call the highest region of the mind celestial, the intermediate one spiritual, and the lowest one natural. And we conceive of them as being like apartments in a house, one above another, with steps going up from one to the next, like stairs. Moreover, on each level there are as it were two sets of rooms, one for love, one for wisdom, with a bedroom, so to speak, in front, where they come together in bed - love with its wisdom, or good with its truth, or to say the same thing, the will with its intellect. In such a palace, all the mysteries of conjugial love become visible as though in effigy."

[5] Hearing this, being fired with a desire to see one, I asked whether a person might go in and look at the palace there, since it was a representational one.

The angel replied that only angels in the third heaven could, because for them every representation of love and wisdom becomes real.

"What I have related to you I have heard from them," he said, "including as well the following, that truly conjugial love resides in the highest region, in the midst of mutual love in the chamber or apartment of the will, and at the same time in the midst of perceptions of wisdom in the chamber or apartment of the intellect; and these come together in bed in a bedroom that is located in front on the east side."

"Why," I asked, "are there two chambers?"

"Because," he said, "a husband lives in the chamber of the intellect, and a wife lives in the chamber of the will."

[6] At that I inquired, "If that is where conjugial love resides, where then does coldness in marriage reside?"

"It, too, resides in the highest region," he replied, "but only in the chamber of the intellect, with the chamber of the will on that level being closed off. For as often as it pleases, the understanding with its truths can ascend by a spiral stairway to its chamber in the highest region; but if the will with the goodness of its love does not ascend at the same time to its companion chamber, the latter remains closed, and coldness develops in the other, which is the coldness one finds in marriage.

"As long as such coldness to one's wife continues, the intellect looks down from the highest region to the lowest; and if fear does not hold it back, it also descends in order to warm itself there with an illicit fire."

Having said this, the angel wished to tell me still more about conjugial love from the depictions of it in that palace; but he said, "Enough for now. First investigate whether these concepts are beyond people's general comprehension. If they are, what is the use of saying more? On the other hand, if they are not, more will be disclosed another time." 1

Footnotes:

1. We find, however, no report of any further disclosures.

  
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Many thanks to the General Church of the New Jerusalem, and to Rev. N.B. Rogers, translator, for the permission to use this translation.

From Swedenborg's Works

 

Conjugial Love #76

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76. The second account:

The next day the same angel came to me and said, "Would you like me to take and accompany you to the peoples who lived in the silver age or period, so that we may hear from them about the marriages of their time?" He also said that these people, too, could not be approached except under the Lord's guidance.

I was in the spirit as before, and I went with my guide. And we came first to a hill in the border region between the east and the south. Then, as we stood upon its slope, he showed me a far extended stretch of land, and we saw in the distance an elevation like that of a mountain. Between it and the hill on which we stood was a valley, and beyond that a level area, and after that a gently rising incline.

We descended from the hill to cross the valley, and here and there on each side we saw blocks of wood and stone carved into the shapes of people and various kinds of animals, birds and fish. So I asked the angel, "What are these? Are they idols?"

And he answered, "Not at all. They are figures representative of various moral virtues and spiritual truths. Among the peoples of this age there was a knowledge of correspondences. Since every person, animal, bird and fish corresponds to some quality, therefore each carving represents some aspect of a virtue or truth, and a group of them taken together represents the whole virtue or truth in a general, extended form. They are what in Egypt were called hieroglyphics."

[2] We continued through the valley, and as we entered the level area, suddenly we saw horses and chariots - horses with variously decorated harnesses and halters, and chariots variously shaped, some carved out like eagles, some like whales, and some like stags with horns, or like unicorns. At the end we also saw some wagons, and stables around at the sides. But when we drew near, both the horses and the chariots disappeared, and instead of them we saw people in couples and pairs, walking, talking and reasoning together.

The angel then said to me, "The various horses, chariots and stables - as they seem at a distance - are appearances expressive of the rational intelligence of the people of this age. For by correspondence a horse symbolizes an understanding of truth; a chariot, its accompanying doctrine; and stables, sources of instruction. You know that in this world, all things take on appearances according to correspondences."

[3] We went on by these things, however, and we ascended by a long incline, until at last we saw a city, which we entered. As we wandered through it, from the streets and public squares we observed its houses. They were all palaces, built out of marble. In front they had steps of alabaster, with columns of jasper on each side of the steps. We also saw temples made of precious stone the color of sapphire and lapis lazuli.

The angel said to me, "They have houses made of different kinds of stone because stones symbolize natural truths, and precious stones symbolize spiritual truths. The people who lived in the silver age all had their intelligence from spiritual truths and so from natural truths. Silver also has a similar symbolism."

[4] As we surveyed the city, we saw married couples here and there in pairs; and since they were husbands and wives, we waited to see if we would be invited in somewhere. Even as we had this in mind, moreover, as we were passing by, two of them called us back into their house. So we went up the steps and went in. Then, speaking with them on my behalf, the angel explained the reason for our coming to that heaven, saying that we had come to be instructed concerning marriages among ancient peoples - "you here being some of them," he said.

They then replied, "We come from peoples in Asia, and the focus of our age was the pursuit of truths, by which we acquired intelligence. This pursuit was the focus of our soul and mind. But the focus of our physical senses was on representations of truths in forms, and a study of correspondences combined the sensory interests of our bodies with the perceptions of our minds, gaining for us intelligence."

[5] Hearing this, the angel asked them to tell us something about marriages among them.

So the husband said, "There is a correspondence between the spiritual marriage, which is a marriage of truth with good, and natural marriage, which is the marriage of a man with one wife. And because we have studied correspondences, we see that the church with its truths and goods can by no means exist except in people who live with one wife in a state of truly conjugial love. For a marriage of good and truth in a person is the church in him.

"Consequently, we who are here all say that a husband is a form of truth, and his wife a form of good, and that good cannot love any other truth than its own truth, nor can truth love any other good in return than its own good. If it were to love another, the inner marriage that forms the church would die, and the marriage would become merely external - the kind of marriage that idolatry corresponds to, not the church. Therefore we call marriage with one wife a sacred union, but if it were contracted with more than one among us, we would call it a sacrilege."

[6] Saying this, he showed us into an anteroom outside the bedroom, which had a number of works of art on the walls and little images apparently cast out of silver. I then asked what they were.

They said, "They are pictures and forms representing the many qualities, attributes and delights which have to do with conjugial love. These ones here represent the unity of souls; these other ones, the conjunction of minds; the ones there, the harmony of hearts; those over there, the delights arising as a result."

While we were looking, we saw on the wall a kind of rainbow, consisting of three colors, purple, blue, and bright white. And we saw how the purple color passed through the blue and tinted the white with a purplish blue hue, and that the latter color flowed back through the blue into the purple and raised it into a kind of flaming radiance.

[7] Then the husband said to me, "Do you understand it?"

And I said, "Instruct me."

So he said, "The purple by its correspondence symbolizes the conjugial love of the wife; the bright white, the intelligence of the husband; the blue, the beginning of conjugial love in the husband's perception from the wife; and the purplish blue, which tinted the white, conjugial love then in the husband. This latter color's flowing back through the blue into the purple and raising it into a kind of flaming radiance symbolizes the conjugial love of the husband flowing back to the wife. Things like these are represented on these walls whenever we reflect on conjugial love, its mutual, progressive and simultaneous union, and then look closely at the rainbows exhibited there."

At this I said, "Things like this today are more than mysteries, for they are of a representational type, representing the secrets of the conjugial love of one man with one wife."

He replied, "So they are, but to us here they are not secrets, and therefore not mysteries."

[8] When he said this, a chariot appeared in the distance drawn by white ponies, and seeing it, the angel said, "That chariot is a signal for us to depart."

Then as we were going down the steps, our host gave us a cluster of white grapes with leaves from the vine still attached, and suddenly the leaves turned silver. And we took them away with us as a memento that we had spoken with people of the silver age.

  
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Many thanks to the General Church of the New Jerusalem, and to Rev. N.B. Rogers, translator, for the permission to use this translation.

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